Peter Decherney is an award-winning fine art photographer, filmmaker, and author. He holds the Edmund J. and Louise W. Kahn Endowed Term Chair in the Humanities at the University of Pennsylvania, where he is Professor of Cinema & Media Studies and Director of the Penn Global Documentary Institute.
ASSOCIATED FACULTY
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David Brainard
Professor of Psychology
I am interested in human vision, machine vision, and computational modeling of visual processing. My primary research is concerned with how the visual system estimates object properties from the information available in the light signal incident at the eye. To study this general problem, I conduct psychophysical experiments to investigate questions such as how object color appearance is related to object surface properties under a wide range of illumination conditions and how color is used to identify objects. In addition, I am interested in developing machine visual systems that can mimic human...
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Peter Decherney
Edmund J. and Louise W. Kahn Endowed Term Chair in the Humanities and Professor of Cinema & Media Studies
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Renata Holod
College of Women Class of 1963 Professor Emerita
Renata Holod is Professor, and Curator in the Near East Section, Museum of Archaeology and Anthropology. She received her BA in Islamic Studies from the University of Toronto, MA in the History of Art from University of Michigan and Ph.D. in Fine Arts from Harvard University. Professor Holod has served as Convenor, Steering Committee Member, and Master Jury Chair of the Aga Khan Award for Architecture.
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Gabriel Martinez
Senior Lecturer, Photography
Gabriel Martinez, a Cuban-American visual artist originally from Miami, Florida, works largely with photography, performance and installation. Martinez was a Pew Fellowship in the Arts recipient in 2001 and was granted a Joan Mitchell Foundation Fellowship in 2003. He has received two Individual Artists Grants from the Pennsylvania Council on the Arts.
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Matt Neff
Director of Fine Arts Undergraduate Program
Matt Neff’s work is concerned with historical and current negotiations of power and privilege with regard to race, gender, and class, both as an observer of others, and in terms of his own processes and relationships to these dynamics. This process, which occurs on both levels of consciousness and dissociation, offers a fragile impermanence to the work. Formally, he is interested in a lack of image, anti-icons, and, much like semantic satiation, the repeated and shifting use of common materials like sugar, graphite, air, and ash evoke visual mystery and a visceral reaction to and curiosity about objects and images.
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Alan Stocker
Associate Professor, Psychology
"Believing is seeing." - My research interest is to understand how our visual percept of the world is shaped by our beliefs and expectations about what there is to be perceived. More specifically, research in my laboratory is currently exploring (1) how the statistical properties of our visual environment shape our expectations (i.e. objective expectations), and (2) the degree by which our expectations reflect our own previous perceptual decisions (i.e. subjective expectations). How are these expectations formed?
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Jackie Tileston
Associate Professor of Painting and Fine Arts
Jackie Tileston's paintings are heterotopic spaces in which recombinant strategies and nomadic thinking create complex images that investigate the contemporary sublime and states of being. Her work has been featured in solo exhibitions in Chicago, Houston, Philadelphia, and Dallas, and group exhibitions at the Contemporary Arts Museum (Houston), Art in General and the Painting Center (New York), and the Delaware Center for Contemporary Art.